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2019 also saw breakout singles from emerging Latinx stars making their way onto the wider Billboard charts as well. Sech’s “Otro Trago” proved one of the year’s biggest hits, as did Jhay Cortez’s “No Me Conoce” and Lunay’s “Soltera.” Trapero Jon Z scored a plum placement on YG’s “Go Loko,” which reached No. 49 on the Hot 100. While some of these found success with the help of genre superstars, they nonetheless introduced new hitmakers into the mix and, most importantly, into the mainstream.
Chorus You are like the casino Sometimes I win, but hardly (No-oh-oh) Knowing that I lose all the time (I lose) Whenever I can come back (Oh-oh) , yeah You are like the casino Sometimes I win, but almost not (No-oh) Knowing that I waste all my time ( I lose) Whenever I can I come back (I come back)
One of 2019’s biggest urban music trends didn’t come out of reggaetón or even trap, but rather from the banda and norteño space. Leading the charge for this regional urbano movement, the Rancho Humilde label soared with artists like Fuerza Regida and Legado 7 who mix traditional Mexican genre stylings with decidedly urban lyrics and themes. A teenage standout in that formidable stable of acts, Natanael Cano saw his star rise considerably with a string of popular singles and mixtape-like projects in his corridos tumbados style. On YouTube, music videos for “The Drip” and “El De La Codeina” earned tens of millions of plays. One of his signature corridos, “Soy El Diablo” landed a remix featuring none other than Bad Bunny, which has no doubt helped the already robust single reach its current peak at No. 19 on Hot Latin Songs.
2019 also saw breakout singles from emerging Latinx stars making their way onto the wider Billboard charts as well. Sech’s “Otro Trago” proved one of the year’s biggest hits, as did Jhay Cortez’s “No Me Conoce” and Lunay’s “Soltera.” Trapero Jon Z scored a plum placement on YG’s “Go Loko,” which reached No. 49 on the Hot 100. While some of these found success with the help of genre superstars, they nonetheless introduced new hitmakers into the mix and, most importantly, into the mainstream.
Chorus You are like the casino Sometimes I win, but hardly (No-oh-oh) Knowing that I lose all the time (I lose) Whenever I can come back (Oh-oh) , yeah You are like the casino Sometimes I win, but almost not (No-oh) Knowing that I waste all my time ( I lose) Whenever I can I come back (I come back)
One of 2019’s biggest urban music trends didn’t come out of reggaetón or even trap, but rather from the banda and norteño space. Leading the charge for this regional urbano movement, the Rancho Humilde label soared with artists like Fuerza Regida and Legado 7 who mix traditional Mexican genre stylings with decidedly urban lyrics and themes. A teenage standout in that formidable stable of acts, Natanael Cano saw his star rise considerably with a string of popular singles and mixtape-like projects in his corridos tumbados style. On YouTube, music videos for “The Drip” and “El De La Codeina” earned tens of millions of plays. One of his signature corridos, “Soy El Diablo” landed a remix featuring none other than Bad Bunny, which has no doubt helped the already robust single reach its current peak at No. 19 on Hot Latin Songs.